I’d love it if you felt so inclined as to vote for me in the first ever Poppies – a series of indie design awards being run by the lovely Jan at Poppytalk blog.

You can vote for my handmade jewellery right here.

Just scroll down to check my name and then a bit further down to click on ‘vote’ … and that’s it!

I’m thrilled to be in the running and have my fingers crossed for a happy outcome! Winners will be announced on 5 February 2010.

Good luck to everyone else in the running for a Poppy too. View all of the award categories and get voting for your favourite indie designers!

Yesterday I redid the jewellery photographs that I’d taken the previous day and I’m much happier with the results. So I’ve started listing more new work in my handmade jewellery shop.

Much of this work I had previously started but not resolved – some over a year ago! So I made an effort to go back to the pieces lurking around my bench and finally got them completed and ready to put into production.

This ironwork pattern pendant is a smaller, redesigned version of the ironwork pendant I have been making for some time. It is based on an antique ironwork pattern and has been intricately cut out of sterling silver.

The pendant is 1.6cm (0.63″) tall and wide and is suspended on a blackened sterling silver chain with handmade findings.

These ixora flower pieces were inspired by the gorgeous bunches of ixora flowers in vibrant yellows and oranges that I saw in the lush tropical gardens of Bali.

The flowers are made in a metal called shibuchi. This is a Japanese alloy of 75% copper and 25% silver. Its colour varies from an golden-pink through to a light copper colour, depending much it has oxidised, meaning the colour of the pieces will vary over time as you wear them – and can of course be quickly cleaned of tarnish in silver dip to get back to the original colouring.

The ixora flowers pendant features five flowers suspended from a narrow oval of sterling silver so they hang in a cluster which changes depending on how the flowers fall. The pendant is on my favourite simple sterling silver chain with handmade findings.

The ixora flower earrings feature one flower per earring suspended from handmade sterling silver ear wires. They will swing as you move.

I’ve also added two new pairs of cufflinks to my jewellery for men range. The above damask cufflinks feature my favourite damask-style pattern. The pattern has been blackened and then the piece has been tumbled to polish the entire cufflinks, but also to give the pattern a gunmetal grey type finish.

The other pair I’ve added have a very 1960s looking circles pattern on them. Visit my jewellery for men section (also in my Australian shop) to see more.

There is more handmade jewellery already listed and more yet still to come. For now you can check out everything that’s new in my handmade jewelry shop (prices in US$, delivery everywhere) or my handmade jewellery shop (prices in AU$, delivery to Australia and NZ).

I’ll post about more new pieces soon.

I’ve just added two shiny new rings to my handmade jewellery shop. The rings each feature beautiful deep pink lab-grown rubies. The tube settings that the rubies are set into are connected to the ring shank by loops at the back, meaning that each setting moves freely around the ring.

One version is a two settings ring with one stone larger than the other. The other features a single ruby setting. Of course both are also available in my Australian handmade jewellery shop.

Quite some time ago I made one of these rings for myself and I love wearing it. I particularly like the way the stones move as I do – and of course I can’t stop fiddling with it when I have it on!

The choice to use lab-grown gemstones is partly down to the fact that they are identical on a molecular level to a mined gemstone, but are flawless and beautifully coloured, while also being a lot more affordable. But also they are a more ethical choice given that there is none of the massive environmental damage that mining can cause and none of the other issues such as mistreated workers or gems being used to fund wars.

Photographing jewellery

I took the photographs of the rings today – the first time I’ve photographed my work in my new home, so it was a bit of an experiment. I’m not thrilled with how the shots I took today (including of a number of other new pieces) came out so I think I’ll have another go at them soon.

Part of the issue was down to wanting to make better use of natural light in my much brighter home, but only finding the time to take the photos on a very windy day with clouds coming and going, meaning the light level changed constantly – not ideal! But also I think the spot I chose just wasn’t quite right. I’ll see how I go in another location as soon as I get a chance.

Just a note to let you know that I’ve just added a number of pieces to the sale section of my handmade jewellery shop to help clear the way for new work.

Some of these pieces have never been sold online before and for many there is just one remaining in stock.

So stop by the sale section and take a peek! I hope to be adding more in the next little while.

PS. Australian and NZ customers can visit the handmade jewellery sale in my Australian dollar shop.

A while back I answered some questions for an article by the lovely Angela of The Jewelry Report, a blog for jewellery makers. I really enjoyed answering the questions as many were specific to the process of making jewellery and written by someone who knows a thing or two about it.

The resulting article has an introduction to make me blush:

Australian jeweler, Simone Walsh, is an inspiration to all one-man-band jewelery designs. Not only does her jewelry reflect a sense of originality and dedicated to quality, but her success is a testament to her hard work and dedication to being a successful business woman. Yet every…single…piece is completely handmade. Here she gives us some insight into that productivity, and I really feel that this gal is someone that many aspiring jewelers, and established jewelers alike can (and should) look up to.

So if you’re interested in reading the rest of the article with the Q&A I completed you can find it right here on The Jewelry Report.

I spent some time at my bench this weekend making some jewellery for one of my consignment outlets along with for my own stocks. And the results of my labour all needed to be tumbled in steel shot to become bright and shiny.

A batch of handmade jewellery fresh from my new tumbler.

Recently I purchased a sparkly new Lorotone tumbler to replace the wonderful but now old and slightly decrepit tumbler my Dad made for me years ago using bits from his shed).

It’s taking me a while to get used to the ways of my new tumbler. Because I’d used my old (and rather eccentric!) one for such a long time I knew exactly how much shot, water and tumbling compound it needed and exactly how long my work needed to be tumbled to get the result I wanted.

Of course my new tumbler is different and it will take me some experimenting to get those things right.

It’s been making me think about how very familiar we all become with the tools and equipment we use extensively. Changing those things can be a bit disorientating at times. But of course change can be a good thing!