Archive for November 2007

Be my fan!

Simone Walsh handmade jewellery

Thanks to my lovely friend Dusty at 27 Things I’ve recently discovered that I can create a business page on Facebook for my handmade jewellery business.

So tonight I made one – you can find it right here.

If you’re a Facebook member you can sign up and be my fan!  Awwww.  And if you’re a Facebook member with your own business, I suggest you have a look into creating your own business page.

Caring for and cleaning precious metal jewelry

I recently read a forum post by a person who thought that tarnished jewellery was somehow defective and unwearable … which surprised me rather a lot as to me it seems obvious that silver will naturally tarnish and simply needs to be cleaned periodically.

I’d hope that most people realise at least that much, but reading this got me thinking about how jewellery makers perhaps assume too much knowledge on the part of their customers in terms of caring for their jewellery – especially when it comes to precious metals.

So here is some information about caring for your precious metal (especially sterling silver) jewellery which I hope readers will find helpful.

As an aside, I’ve recently added Sunshine brand polishing cloths to my shop which can be used to clean any precious metal. At the moment I’m also including one as a gift for those who spend over US$80 in my handmade jewelry shop.

tarnish

All precious metals can tarnish to even a minor degree. Platinum and pure gold are the most tarnish-resistant metals – the keyword here being ‘resistant’. Pure or fine silver is often said not to tarnish, but that isn’t true – it can and does tarnish, just a lot more slowly and in a less noticeable way than sterling silver.

Of all precious metals, sterling silver is the one which is most notorious for issues with tarnishing. This is because it has copper mixed in with the silver which has the benefit of making the metal harder and therefore more suitable for a wider variety of uses than very soft pure silver, but the downside is that copper tarnishes very easily.

There are some things that a jewellery maker can do in the right circumstances to help slow down or reduce the tarnishing of sterling silver items they make, such as repeated heating and chemical cleaning to reduce the amount of copper on the surface of the metal or coating pieces with a special wax. But chances are that even using these methods the metal will still need to be cleaned at some stage in the future.

What causes tarnishing? Basically, it’s caused by oxygen and moisture coming into contact with the metal – which gives a clue as to how to slow it down!

storing your jewelry

You can slow tarnish building up on the surface of your jewellery simply by wearing it frequently. The action of your skin or clothing moving against it and – in some cases – the metal moving against itself will help remove the tarnish on an ongoing basis.

Note that a small minority of people find that some metals will react to the chemicals released by their skin and they may find tarnishing or discolouration of metal will happen as a result of wearing it.

If you aren’t going to be wearing a piece for a while, then the best thing is to try to keep it isolated from too much fresh air and moisture. Ziplock plastic bags do wonders, especially if they’re as small as possible for the piece – and you can purchase anti-tarnish versions of these bags if you wish.

But for a more ‘elegant’ solution, simply using a pouch will help (again anti-tarnish versions are available) or even a jewellery box of some sort which closes well.

You can also purchase anti-tarnish strips to put inside pouches or jewellery boxes which can also help. Use of humidity absorbers near to where you are storing your jewellery can also make a difference if you live in a humid place.

cleaning your jewelry

polishing cloths

Sunshine brand silver and precious metal polishing clothSpecialist polishing cloths are generally the safest solution for cleaning precious metals. The cloths are soft and non-abrasive and are impregnated with chemicals which assist with cleaning tarnish from metal. You simply rub the cloth against the piece until it appears clean.

The cloths can be used until they are entirely blackened – it’s important to note that they cannot be washed without losing their effectiveness.

You can also gently use polishing cloths on metal which has recessed areas which have been blackened or otherwise coloured, such as this etched pendant. Using liquid chemicals on such jewellery pieces is not recommended.

Chrysanthemum pattern etched cuff with recessed areas blackened.
The recessed areas of this etched sterling silver cuff have been chemically blackened to make the pattern stand out.

silver dip and other liquid cleaners

Using a quality silver dip is the fastest and easiest way to clean sterling silver as you only need to immerse the piece in the dip for a few seconds in order to remove tarnish. But it’s important to note that it’s not the best cleaning solution in all circumstances.

Most importantly, metals which have been patinated or ‘oxidized’ (chemically blackened) should not be cleaned with dip or other cleaning liquids as they can easily remove these elements of the design.

These chemicals should also not come into contact with textiles, for instance the silk thread used in many of the neckpieces I make.

Intricately cut out heart pendant suspended on a natural silk necklace by Simone Walsh
Intricately cut out heart pendant suspended from a necklace made with natural silk thread.

It’s also important to thoroughly rinse any cleaning chemicals from the piece afterwards – these chemicals are generally toxic and you won’t want to be wearing them!

It’s a good idea to buy a respected brand name dip and it’s essential that you read any instructions that come with it. And the same goes for other types of liquids used to clean a variety of metals.

ultrasonic cleaners

These days there are some inexpensive ultrasonic cleaners available on the market and if you have detailed pieces of jewellery which can trap grime, getting an ultrasonic cleaner is a great idea. They will clean your jewellery (generally!) without damaging the surface. Note that these cleaners will not remove tarnish.

Ultrasonic cleaners work by creating miniscule bubbles which burst on the surface of anything submerged in them, which dislodges any loose particles.

Again, any instructions should be observed and it’s strongly suggested you don’t put pearls in particular into one of these cleaners.

Also, I would not recommend using an ultrasonic cleaner on a piece with coloured or blackened areas as part of the design – it may be safe to do so, but you may well damage or even remove the colouring.

baking soda paste or toothpaste

A traditional cleaning solution for silver items particularly has been to use a paste made with baking soda or toothpaste. This will clean your jewellery or other silver items, but it’s really not recommended. This is because these methods are abrasive and will damage the surface of the metal.

You may not necessarily notice this, particularly if the piece does not have a high shine, but each time you do it you are removing metal from the surface. Over time this will become more of an issue, so it’s particularly important not to use these cleaning methods if you’d like the piece to be handed down through your family.

soap and water

Soap and water won’t remove tarnish from the surface of metal, but jewellery can get grimey from ordinary wear, so giving it a clean occasionally is a good idea even if it isn’t tarnished. You may use a soft cloth or a soft plastic bristled brush (but note that this will mark the surface of highly polished pieces) to help clean the piece.

This is also a great way to clean most gemstones and glass beads. However, I recommend you research cleaning individual gemstone types if you are worried about damaging them – more porous gemstones such as turquoise and pearls should be treated with more care than more hard-wearing stones.

Be sure not to use cleansers with chlorine bleach in them as in the right circumstances they can leave unwanted black marks on your metal.

general care

The most important general care instruction I can give is to simply not think of your jewellery as being invincible! I’m sure it’s common sense to know that it can and will get damaged – perhaps irreversibly – if certain considerations are not taken.

In particular, don’t expect your jewellery to take an unreasonable amount of weight or force. If your jewellery is delicate, be careful not to store it with heavier items on top of it or in a place where it might get broken or bent against another surface. And of course don’t allow it to rub up against harder metals or other surfaces which will scratch it.

Life = work

I pretty much have no life at the best of times. But at this time of year I really have no life at all. My existence pretty much entirely involves working, sleeping a bit, working some more, eating hurried meals, working again, etc..

Components and finished pieces after a few days of hard work.

Funnily enough, I realise that I could probably get more done more efficiently if I worked less. But because I work too much I have to keep working too much because I’m less efficient than I should be because I work too much. I’m sure that makes perfect sense!

Anyway, I thought I would share the above photograph with you after a few days of hard work to catch up on handmade jewelry stock for Christmas. I did actually get a bit more done than this, but some was put away already and other pieces had already been sent to customers.

And now … back to the grindstone!

New handmade jewelry in time for the holidays

As promised in my previous post, here are some ‘proper’ photographs and details of the new work I’ve created in the last week or so.

Much of the new work is now listed in my jewelry shop – and you can find more photographs in my Flickr.

Cutout flower pendant on red silk - by Simone Walsh

This simple cutout flower pendant has been intricately cut out of sterling silver to leave the outline of a flower. The pendant is suspended on deep red natural silk with handmade sterling silver findings.

There is also a cutout flower pendant on black silk (and I can generally change the colour of the silk to something else if people prefer), along with a pair of cutout flower earrings.

Cutout flower pendant on black silk by Simone Walsh  Cutout flower earrings by Simone Walsh

To date I’ve not used a lot of gemstones in the work I sell online, however, I’m starting to play with some stones again and hope to have more in future.

Recently I fell in love with these elegant and not-too-flashy facetted quartz crystal briolettes. I’ve created a few simple designs which I hope have just the right balance between being subtle and ‘organic’, while also being sparkly and eye-catching.

Quartz crystal briolettes on oxidized loops necklace by Simone Walsh.

The above necklace features three of the briolettes which have been placed on loops of sterling silver. The loops have been soldered closed, hammer beaten for texture and then oxidised a rich black. The loops are suspended from a simple sterling silver chain with handmade findings.

Quartz crystal briolettes on loops silk necklace by Simone Walsh  Quartz crystal briolettes on oxidised loops earrings by Simone Walsh

I’ve also created variations on this design using a black silk necklace and silver loops, along with quartz crystal earrings using both the oxidised and non-oxidised loops.

Cameo pendant by Simone Walsh

Cameos have fascinated me for a long time and for ages I’ve been thinking about creating my own interpretations of what is a very traditional theme in jewellery making. And here is my first design along these lines – a cameo pendant.

The traditional cameo profile of a woman’s head has been sawn out by hand from a piece of sterling silver which has been etched with my favourite detailed damask-style pattern. The silver has then been cut into a circle and domed to give it a rounded surface. The metal was then oxidised black and then sanded back leaving the raised areas of the patten a brushed but shiny silver.

The cameo pendant is suspended on natural black silk with handmade sterling silver findings.

Etched leaves earrings by Simone Walsh

The above etched leaves earrings are a variation of the leaves designs I created recently. This time the teardrop shaped and slightly domed panels with a dense leaf pattern etched onto the surface are suspended from curvaceous ear wires. The panels will swing eye-catchingly as the wearer moves.

Vintage duck egg blue bead earrings by Simone Walsh

I’ve also been creating some simple bead pieces for holiday shopping, including using some of my lovely stash of German glass vintage beads which were created by a company which closed down in the 1970s – the beads I’ve got date from the ’40s through the ’70s.

These stylised flower beads used for these vintage bead earrings have a ripple running around the edge of them and are a really lovely duck egg blue colour. To create these each earring I’ve placed three beads on handmade sterling silver pins which have then been wrapped to hold the bead in place. The three beads are then suspended from a handmade sterling silver ear wire.

Vintage duck egg blue beads pendant by Simone Walsh

To go with the earrings I’ve created this simple vintage flower bead pendant. Again the beads are placed on handmade pins and wrapped. They are then suspended on a hammer beaten loop of sterling silver, which is in turn suspended from a natural black silk necklace with handmade sterling silver findings.

And there are some other pieces besides … You can find these and other pieces, new and old, in my handmade jewellery shop – and soon on Mintd and already on Etsy.

Sneak peek at some new handmade jewelry

Over the weekend I once again spent lots and lots of time at my work bench, a fair bit of which was pinning down and completing some new designs – but as usual I spent some time catching up on making existing pieces as well.

Partially finished handmade jewelry by Simone Walsh
New and existing partially complete jewellery components.

… And today I’ve spent a chunk of time taking a whopping 370 photographs of completed new work.

I now need to sift through the images and delete those which are clearly no good. And then it’s a matter of opening them all up in Photoshop in batches, choosing the best variations for each piece and editing them ready for listing, before finally calculating pricing for the pieces and writing descriptions. Once all that is done, finally I can list them.

Which goes to show that creating new work is about a lot more than just creating new work!

Once I’ve edited the images I’ll post some of them here to give you a better sneak peak of what’s about to be listed in my jewellery shop.

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