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Archive for October, 2007

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I confess that I’ve been a bit slow to set up an email list for my business, but it was one of the jobs I managed to complete when I redesigned my website recently. I plan to use this mailing list sparingly, but will let subscribers know about new work, subscriber specials and any major developments for my handmade jewellery shop and business in general.

You can sign up on the home page for my website at www.simonewalsh.com (the form is on the right-hand sidebar).

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The joys of saw piercing

I spent much of my weekend sawing out pieces of sterling silver, some of them into very intricate designs. While working I thought about the process of saw piercing and how much my own perception of it has changed over the past year or so.

Finished handmade components fresh from the tumbler.
Finished handmade jewelry and components fresh from the tumbler after a weekend of making.

I suspect it’s no accident that many courses teaching jewellery making from a metalworking perspective often have beginners start out by learning to saw shapes out of sheets of metal.

Of course many pieces of jewellery require saw piercing as the first step in making them, but I think more importantly saw piercing requires seemingly boundless amounts of patience, especially when starting out. And if there’s one thing that jewellery makers need to have in buckets it’s patience, along with a healthy dose of perseverance.

A day’s worth of broken saw blades.
A day’s worth of broken saw blades. Thanks to Shoshona Snow for this gorgeous little dish!

Saw blades used in a jeweller’s saw frame are incredibly fine. Even if beginners are started out on what more experienced makers would regard as thick blades, they are still much finer than most people will ever have used before. Also, sawing out shapes for jewellery very often requires the maker to saw out intricate and fluid designs with complex curves and sudden changes of direction.

A 5/0 saw blade against my hand. Sterling silver rubble after a weekend of saw piercing and other work.
Left: A 5/0 saw blade against my hand to give an idea of thickness (or lack thereof!). You can see a close up showing the tiny teeth of the blade on Flickr. Right: Sterling silver scrap caught by the pouch in my bench after a few days of saw piercing and other jewelry making work.

The result is broken saw blades – lots and lots (and lots!) of broken saw blades.

Of course beginners will break blades a lot more frequently than more experienced jewellery makers, but it’s something that still happens often no matter how much experience you have. As a beginner you will either learn to live with this and keep going or you will decide this world of jewellery making isn’t for you and will find another outlet for your creativity. And realising this sooner rather than later is always a good thing!

Obviously as a beginner I stuck with it, despite the large mounds of broken saw blades and the frustration of seemingly endlessly replacing them as I was learning. Patience is definitely one of my personal strong (and weak!) points, so jewellery making and me seem like a good fit.

However, I still didn’t exactly love the technique of sawing metal. It was something I had to do as part of making many designs, but I was never exactly fond of this aspect of my work and would avoid doing it when I could.

Then I read one little line in a technical book which changed my perception of saw piercing. It was simply that a saw blade is effectively like a tiny sliver of the cross-section of a file and that to a degree you are kind of filing metal when you are sawing. This led me to go off on a tangent and suddenly see saw piercing as being a little bit like carving – and I love the process of carving! I find it easy to get into ‘the zone’ with this sort of work and for me it’s a very fluid, organic process, which I very much enjoy.

So this simple change in perception completely turned my thinking about saw piercing on its head. Pretty much immediately I started to work on much more intricate pieces where the technique is really the focus of the finished jewellery. And of course my skill in this area of work continues to improve as I push myself.

Sterling silver butterfly pendant - detail - by Simone Walsh.
Sterling silver butterfly pendant.

One example of this in my current handmade jewellery range is the butterfly pendant I have been making in recent months – an extension of the butterfly wing pendant I have been making for a year or so now.

I now also often prefer to leave evidence of the saw piercing process in many of my pieces. For example, the marks from the saw blade can be seen in the pierced out sections of the butterfly wings. I like my work to look handmade and I love to leave traces of the process of making in my jewellery, and this is one example of doing so.

So as a result of one sentence in a book, for me saw piercing now really is a joy instead of a chore.

Except of course when I’m having one of those off days where I seem to break about ten times more saw blades than seems reasonable and even my patience is worn very thin! In which case it’s a good idea to simply do something else.

Ceramics by Shoshona Snow

Today I collected from the post office a little present I’d purchased for myself – a lovely tripod bowl made by the very talented Shoshona Snow.

Three ceramic bowls by Shoshona Snow.

This is my third piece by Shoshona and I’m very happy with my little collection, as seen above – and I’m sure it will continue to grow! My new bowl is the one with the yellow interior.

I seem to be increasingly into collecting ceramics – which is odd because in the past I really wasn’t into this form of object making at all. But now I have a long list of very diverse favourite ceramicists and and many pieces which I covet. I now hope I’ll end up with a home full of them!

A spot of Ikea hacking

Finally this week I made myself complete a project which has been on my list of things to get done since the start of the year – creating a housing unit for my buffing machine.

Let me start out by saying that I hate buffing metal. This is partly because I’m no longer all that keen on a mirror finish to the work I create, but also because it’s dirty work and is perhaps the most dangerous work I do in my home studio. If I find my mind continually wandering while I’m buffing I generally stop and do something else in case I suddenly find myself without a hand or an eye or something – it’s one of those things where you have to be 100% ‘there’ to do safely.

Another reason I’ve been avoiding buffing for ages is that I’ve simply not had a proper housing for my old machine, which it needs for safety reasons (to catch anything which the buffing mop grabs from my hands – without throwing it back into my face and ideally without damaging the piece!) and to try to reduce the mess and the dust I inhale (so the housing should catch this too).

I live and work in a rented home and my small studio doubles as my office – I’m lacking in space and I can’t set up anything permanent. So I figured a box in which I can keep the machine when I’m not using it and which can be moved to a suitable space when I am using it would be ideal.

Ikea hacked buffing box   Buffing box with fabric ‘curtain’.

So here is what I came up with. It’s a very cheap Ikea bedside table which has an upper and lower shelf and is open at the front and back.

I bought some slightly ’sticky’ and paddd vinyl which is used to hold tablecloths in place and to protect tabletops. I tacked a panel of this across the back of the box on the outside and another larger panel into the interior from the front of the bottom of the top shelf all the way around to the bottom, providing plenty of padding.

This means there’s a double layer of the vinyl where the most grime and fluff will end up – and where my work is most likely to hit if it’s grabbed out of my hands. Plus the machine won’t move around given that the surface has some grip to it.

Then I threw a bit of fabric over it to keep the ugly machine and brown vinyl hidden from view when its not in use – plus of course the top can be used as a shelf and the interior can hold my mops and buffing compounds.

And that’s it! It’s obviously not as a good as a floor mounted housing unit with an extraction fan, but it’s a great solution for now – and an extremely inexpensive one. All I need to finish the job is a lamp which will clamp to the top of the box to give me a bit more light.

Blog readers’ discount ends soon!

Cherry blossom pendant by Simone WalshDon’t forget that any reader of this very blog can get a 15% discount in my new jewelry shop – but only for a couple more days.

The code to use when checking out is: makeme. The discount will end on 10 October.

You can learn more about the launch of the shop right here.

As seen on Poppytalk Handmade

Poppytalk Handmade graphic. For the month of October I have a ‘table’ (aka a web page) at the Poppytalk Handmade online street market (or craft fair if you prefer).

Poppytalk is a rather lovely blog and is behind the idea of an online street market.

It’s well worth having a good look around at the stalls – you will find some very nice handmade items. You can also check out the Poppytalk Handmade blog, where you will find the list of those participating in October’s fair – and keep your eye out for further fairs into the future.

None of the items showcased are for sale directly from Poppytalk, but instead links go to the items in the respective shops of each seller. In my case, that would be here – and you can find my Poppytalk Handmade table right here.

I’m packing …

And while I really am pleased to see you, no I don’t have a pistol in my pocket!

But last night I did spend a chunk of time sorting out my packing area before the onslaught of Christmas starts in earnest. I was then inspired by my good friend Jodie of Meringue to share this with you after her blog post about what’s involved in getting one of her lovely bags from not existing at all to the point of being on the arm of her customers.

My packing area.

So here is my newly organised packing station. While of course it’s only a small part of the story, if you place an order with me, this is where I get everything packed up ready to ship to you.

Buying this little computer desk has really helped enormously in terms of being more efficient in getting orders out. It has a slide out keyboard shelf which I can use for extra packaging space and it’s also where my wrapping paper is kept, meaning it’s always at my fingertips.

The multi-coloured gift boxes are where my stock is kept – each box contains a different ‘category’ of handmade jewellery so I can easily spot which one contains what I need when an order comes in.

Last night I finally got around to building a second set of little Ikea drawers which has helped me to be a lot more organised than I was. In particular I was able to pull out bags full of lurking packaging materials and other bits and pieces which were piling up under the little desk and actually put them away.

Plus I folded up, signed and stuck the return address on around 80 of the little boxes I use to ship most of my orders, signed a few customs forms and found a spot for an in tray which I can put print outs of current orders needing to be shipped as they come in.

So while I’m not remotely feeling on top of things as the festive season rush looms large, at least I know that I’ll be packing orders as efficiently as I can.

And, yeah, my shelves are chaotic – especially after having to move everything recently to get the walls plastered. But one day they might get sorted out too!